Tonal references in Luigi Dallapiccola's Quaderno musicale di annalibera

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Title: Tonal references in Luigi Dallapiccola's Quaderno musicale di annalibera
Author: Mann, Rachel Elice
Abstract: This paper investigates the tonal references in Luigi Dallapiccola's Quaderno Musicale di Annalibera (1952 ) , particularly movements 1 and 7 , "Simbolo" and "Andantino Amoroso e Contrapunctus Tertius ." Tonal references are present in three ways . First , triads and seventh chords are presented within the ordering of the twelve -tone row . Second , chordal transformations are presented in close position to encourage the listener to perceive them as such . Third , tonal references occur in the local tonic -dominant relationships , which are prevalent throughout the movement as well as the entire composition . While the Quaderno Musicale di Annalibera is a twelve -tone composition , these fleeting moments of tonality can be seen throughout "Simbolo" and "Andantino Amoroso ," as well as the remainder of the work . Through his use of tonal references , Dallapiccola is able to manipulate the row to provide the listener with a sound that , at times , seems both tonal and atonal .
URI: http : / /hdl .handle .net /2346 /8818
Date: 2002-05

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Mann, Rachel Elice Tonal references in Luigi Dallapiccola's Quaderno musicale di annalibera. Master's thesis, Texas Tech University. Available electronically from http : / /hdl .handle .net /2346 /8818 .

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