Dalcroze by any other name: eurhythmics in early modern theatre and dance

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dc.degree.department Fine Arts (Theatre Arts ) en_US
dc.degree.discipline Fine Arts (Theatre Arts ) en_US
dc.degree.grantor Texas Tech University en_US
dc.degree.level Doctoral en_US
dc.degree.name Ph .D . en_US
dc.rights.availability unrestricted en_US
dc.creator Lee , James W en_US
dc.date.accessioned 2014 -06 -06T20 :46 :27Z
dc.date.available 2011 -02 -18T21 :18 :23Z en_US
dc.date.available 2014 -06 -06T20 :46 :27Z
dc.date.issued 2003 -08 en_US
dc.identifier.uri http : / /hdl .handle .net /2346 /15905 en_US
dc.description.abstract It is the argument of this dissertation that , in the early years of the twentieth century , the Swiss music teacher Emile Jaques -Dalcroze (1865 -1950 ) was the preeminent authority , advocate , and researcher into the following principle : human artistic expression is based on an intrinsic , physical , and visceral bond between performing artists and their work . Furthermore , Dalcroze's work was pivotal to all of the stage -centered arts at the inception of modernism . Historical acclaim for the initiation and promotion of expression in theatre and dance is accorded to such commonly recognized figures as Konstantin Stanislavski and Rudolf von Laban . However , Russian , German , Swiss , and French sources from that era have revealed that Emile Jaques -Dalcroze and his associates had formulated , established , taught , and widely dispersed his foundational techniques of artistic expression well in advance of the recognized icons of modernism in the theatrical arts . This work provides evidence that Jaques -Dalcroze was in direct contact with both Laban and Stanislavsky , and contributed materially to the work for which they later became world -renowned . Unlike many others who shared his quest and passion for expressiveness in the performing arts , Dalcroze's work and insights have been inadequately considered in the chronicles of expressive performance . This dissertation demonstrates that Emile Jaques -Dalcroze should appropriately be seen as the principal source of the methods and theories of the now -celebrated founders of modern performance in the twentieth century : Konstantin Stanislavsky and Rudolf von Laban . en_US
dc.language.iso en _US en_US
dc.publisher Texas Tech University en_US
dc.subject Modern dance - - Study and teaching en_US
dc.subject Exercise music en_US
dc.subject Theater - - Study and teaching en_US
dc.subject Eurythmics en_US
dc.subject - - 1865 -1950 en_US
dc.subject Emile en_US
dc.subject Jaques -Dalcroze en_US
dc.title Dalcroze by any other name : eurhythmics in early modern theatre and dance en_US
dc.type Electronic Dissertation en_US

Citation

Dalcroze by any other name: eurhythmics in early modern theatre and dance. Doctoral dissertation, Texas Tech University. Available electronically from http : / /hdl .handle .net /2346 /15905 .

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